High Detail with Natural (water-based) Clays? Possible? If yes, How?
Hi there,
First off, I'd like to give you an idea of my work process:
1. Sculpting/ Modeling/ Designing in natural clay
2. Mold Making: Using Smooth-On's Brush-On series (urethane rubber)
3. Casting in concrete
This process creates two main issues:
First; casting in concrete limits me in the rubbers I can use for the mold. Since regular silicons can't resist the concrete's heat, which is generated during cool-down, my choices come down to urethane rubbers only. Additionally, tear strengths are much greater with the Brush-On series.
Second; the urethane rubber doesn't work well with certain oil-, mineral-based clays, hence I use natural clay. Which has one great side effect: I can get half a metric ton for free of that stuff! Therefore huge projects are possible. On the other hand, creating detail with natural clays is a b**ch to get to work. (details like fine wrinkles and hair lines without causing the clay to crack)
The question now is, whether there is a way to treat natural clay (which used to create bricks with) so that details like wrinkles or small cavities are possible without causing the clay to crack, which other professional clays don't because they don't dry as fast as natural clay and they are much smoother.
Ideas I have come up with so far are:
- frequently wetting the clay before using sharp tools (classic)
- putting plastic wrap foil or cling film on the clay first and then using sharp tools (this massively prevents cracking the clay up along the tools' ends when creating lines, but for cavities I still have similar issues)
My goal is to achieve maximum detail at the lowest cost for each process without compromising the above-mentioned materials (unless you've got a cheaper solution
). Sounds unnecessary complicated but I've got my reasons X )
I would be very grateful for any ideas, hints, remarks or actual solutions with this. I have already asked many professionals but none who could help me with getting more detail into natural clays. Therefore I come to you (StanWinstonSchool's Community)
for council ;P
Thank you in advance.
All the best,
Al
First off, I'd like to give you an idea of my work process:
1. Sculpting/ Modeling/ Designing in natural clay
2. Mold Making: Using Smooth-On's Brush-On series (urethane rubber)
3. Casting in concrete
This process creates two main issues:
First; casting in concrete limits me in the rubbers I can use for the mold. Since regular silicons can't resist the concrete's heat, which is generated during cool-down, my choices come down to urethane rubbers only. Additionally, tear strengths are much greater with the Brush-On series.
Second; the urethane rubber doesn't work well with certain oil-, mineral-based clays, hence I use natural clay. Which has one great side effect: I can get half a metric ton for free of that stuff! Therefore huge projects are possible. On the other hand, creating detail with natural clays is a b**ch to get to work. (details like fine wrinkles and hair lines without causing the clay to crack)
The question now is, whether there is a way to treat natural clay (which used to create bricks with) so that details like wrinkles or small cavities are possible without causing the clay to crack, which other professional clays don't because they don't dry as fast as natural clay and they are much smoother.
Ideas I have come up with so far are:
- frequently wetting the clay before using sharp tools (classic)
- putting plastic wrap foil or cling film on the clay first and then using sharp tools (this massively prevents cracking the clay up along the tools' ends when creating lines, but for cavities I still have similar issues)
My goal is to achieve maximum detail at the lowest cost for each process without compromising the above-mentioned materials (unless you've got a cheaper solution
I would be very grateful for any ideas, hints, remarks or actual solutions with this. I have already asked many professionals but none who could help me with getting more detail into natural clays. Therefore I come to you (StanWinstonSchool's Community)
for council ;P
Thank you in advance.
All the best,
Al
0
Answers
-
There are some great videos and tips on the Reynolds Advanced Materials site on casting in concrete.
http://www.reynoldsam.com/application/concrete-casting/
As far as the clay goes, you may have better luck with something like WED clay, which is a water-based clay with additives to help slow drying.
http://www.monstermakers.com/product/em-217-wed-clay.html
WED clay can be obtained from many suppliers, including some ceramic shops, so I'd look around locally before buying it online. That way you may get a better price and not have to worry about shipping expenses.
/Chris0 -
if your using the clay i think you are; essentially mud in a bag, i have heard of people using paraffin wax as to make it more stable.
i natural clay i had was a useless mess, it wasn't good for sculpting or mold making because it flakes apart as it starts to dry, gets everything reallllllly dirty.
paraffin isn't exactly a dream to work with either.
can we see the mold you want to make?0
Categories
- All Categories
- 97 CURRENT CONTEST
- 97 2025 Halloween Costume Contest
- 1.3K COMMUNITY
- 1K General
- 62 Tutorial Reviews
- 98 Suggestions and FAQ
- 82 Job Listings
- 40 Artists for Hire
- 1.8K CHARACTER CREATION
- 165 Costumes & Cosplay
- 148 Lab work
- 95 Props
- 152 Puppets
- 36 Stop Motion
- 18 VFX
- 39 Student Projects
- 478 Sculpture
- 159 Fabrication
- 160 Animatronics
- 177 Makeup Effects
- 130 Painting
- 29 Traditional/Digital Design
- 8.1K PAST CONTESTS
- 244 Creature Making Contest 2025
- 100 2024 Halloween Costume Contest
- 198 Character Making Contest 2024
- 343 Creature Making Contest 2024
- 131 2023 Halloween Costume Contest
- 168 Monster Making Contest 2023
- 239 Creature Making Contest 2023
- 117 2022 Halloween Costume Contest
- 309 Character Sculpting Contest 2022
- 133 Character Makeup Contest 2022
- 170 2021 Halloween Costume Contest
- 261 Creature Sculpting Contest 2021
- 209 Character Makeup Contest 2021
- 354 Creature Making Contest
- 200 2020 Halloween Costume Contest
- 203 Monster Makeup Contest
- 372 Creature Painting Contest
- 244 Horror Character Contest
- 182 2019 Halloween Costume Contest
- 260 Character Makeup Contest 2019
- 351 Character Sculpting Contest
- 279 2018 Halloween Costume Contest
- 292 Alien Art Contest 2018
- 251 Character Makeup Contest
- 389 Monster Making Contest
- 167 2017 Halloween Costume Contest
- 153 Heroes & Villains Contest
- 221 Cosplay Contest
- 215 Creature Sculpting Contest
- 107 Puppet Contest
- 161 Alien Art Contest
- 98 Halloween Costume Contest
- 149 Robot Art Contest
- 269 Dino Art Contest
- 592 Creature Contest
- 5 ALUMNI
- 275 ON DEMAND WEBCOURSES
- 1 Hand Puppet Detail and Finishing Techniques
- 24 Animation for Animatronics
- 9 How To Make a Mask - Wearable Dynamic Art
- 11 3-Axis Robotic Mechanisms
- 5 Neck Mechanisms
- 24 How To Make a Monster Suit with Bill Bryan & Ted Haines
- 19 Character Animatronics
- 5 How to Sculpt a Dinosaur
- 5 How To Build An Animatronic Head
- 5 Creature Costume Basics
- 4 Puppet Mechanism Basics
- 1 Tattoo Makeup - Cover, Create, & Apply
- 2 How To Make Horror Props
- 1 The Fine Art of Horror Painting
- 1 Fantasy Maquette Sculpting In CX5(S)
- 14 The Business of Making Monsters
- Production Design - The Process Of Creating A World For Film
- 4 Character Makeup - Multi-Piece Prosthetic Application
- 3 Prosthetic Makeup Basics - Gelatin Facial Appliances
- 5 Stop Motion Animation with the Chiodo Bros.
- 11 Blood, Gore and Makeup Effects
- 7 How to Punch Hair - Hairwork for Silicone Characters
- 3 Bodycasting on a Budget with Ted Haines
- 2 Portrait Illustration with Terry Wolfinger
- 5 Mastering Marionettes - Design, Construction & Performance with Scott Land
- 1 Creature Makeup - Multi-piece silicone prosthetic application
- 12 Muscle Suit Fabrication
- 11 Wig & Hair Basics
- 4 Silicone Prosthetic Transfer Appliances
- 3 Building Miniatures: Small-Scale Model Making - Part 5
- 9 Toy Design & Sculpture for Action Figures & Collectibles
- 1 Building Miniatures: Small-Scale Model Making - Part 4
- 2 Human Head Anatomy & Sculpture
- 1 How to Make a Foam Puppet - Part 3
- 1 Building Miniatures: Small-Scale Model Making - Part 3
- 5 How to Make a Foam Puppet - Part 2
- 3 How To Make a Foam Puppet - Part 1
- 1 Building Miniatures: Small-Scale Model Making - Part 2
- 14 Animatronic Control Systems - Arduino Programming Basics with David Covarrubias
- 3 Building Miniatures: Small-Scale Model Making - Part 1
- 3 Advanced Creature Teeth: Prosthetic Dental Appliances - Part 2
- 1 3D Pumpkin Carving - How to Carve a Pumpkin from the Outside In
- 5 How To Make A Latex Rubber Mask Part 3
- 3 Advanced Creature Teeth - Part 1
- 11 How To Make A Latex Rubber Mask Part 2
- 6 How To Make A Latex Rubber Mask Part 1
- 294 PAST LIVE WEBCOURSES
- 11 Monster Sculpting
- 8 Platinum Silicone Mask Painting
- 5 Feather Work: Puppets, Costumes, Hair & Makeup
- 9 How To Make Eyes For Puppets, Masks, & Makeups
- Working with Wigs - Wig & Hair Basics with Connie Grayson Criswell
- 14 Muscle Suit Fabrication with Ted Haines
- 7 Homework - Muscle Suit Fabrication with Ted Haines
- 13 Toy Design & Sculpture for Action Figures & Collectibles with Sandy Collora
- 10 Homework - Toy Design & Sculpture for Action Figures & Collectibles with Sandy Collora
- 13 Human Head Anatomy & Sculpture with Jordu Schell
- 11 Homework - Human Head Anatomy & Sculpture with Jordu Schell
- 18 Mastering Marionettes - Design, Construction & Performance with Scott Land
- 13 Homework - Mastering Marionettes - Design, Construction & Performance with Scott Land
- 16 Puppet Mechanism Basics - Eyes, Brows & Ears with BJ Guyer - Watch & Chat
- 11 Homework - Puppet Mechanism Basics - Eyes, Brows & Ears with BJ Guyer
- 12 Advanced Creature Teeth -- with John Cherevka
- 3 On Camera Hand Puppet Performance
- 9 Silicone Prosthetic Transfer Appliances - Age Makeup with Neill Gorton
- 3 Practical Magic: The Art of In-Camera Visual Effects with Joey Shanks
- 9 Buisness of Making Monsters with Shannon Shea
- 11 Stop Motion Animation with the Chiodo Bros
- 5 Foam Carving Puppets with BJ Guyer
- 3 3D Pumpkin Carving with Andy Bergholtz
- 4 Prosthetic Makeup Basics with Rob Burman
- 13 How to Make a Latex Mask with Tim Martin
- 2 Character Illustration with Terry Wolfinger
- 3 Halloween Costumes - Fabric Effects with Dawn Dininger and Amy Whetsel
- 9 Blood, Makeup & Gore FX with Gary J. Tunnicliffe
- 13 Hand Puppet Design and Fabrication with BJ Guyer
- 3 How to Sculpt a Dinosaur with Christopher Darga
- 2 Airbrush FX: Beginning to Advanced with Craig Fraser
- 1 Female Figure Sculpting in Cx5 wtih Adam Beane
- 3 Creature Design: Maquette Sculpting with Casey Love
- 3 How to Make a Sci Fi Helmet with Fon Davis
- 2 Hyper Realistic Silicone Painting with Tim Gore
- 2 Josh Herman Zbrush Creature Sculpting
- 13 Textures and Forms with Don Lanning Oct 26, 2013
- 9 Character Rendering in Photoshop with Dan LuVisi
- 2 Creature Maquette Painting with Jordu Schell
- 24 Textures and Forms with Don Lanning May 04, 2013
- 3 Tattoo Makeup A-to-Z: Cover, Create, and Apply with Christien Tinsley
- 11 Creature Design w/ Casey Love - Sculpting
- 7 Creature Design With Casey Love - Translucent Creature Painting
- 3 Creature Maquette Sculpting with Jordu Schell

