Best Of
Re: What's On Your Workbench? (Winter 2024-2025)
Yep, unfortunately the internet is a vicious place for people hosting 3D models. There's still someone selling prints of a free model I uploaded, though they claim it's theirs and even countered the Etsy cease and desist order.
Best you can do is show the world what you've got and that, hey, it's actually free!
Best you can do is show the world what you've got and that, hey, it's actually free!
Re: Fard Cream Alternatives?
Thanks! I went with the FX and Flesh Tone On set palettes. Alcone had a Presidents’ Day 20% of sale so I took advantage of it. Arriving today can’t wait!
Re: What's On Your Workbench? (Winter 2024-2025)
I have been working with a group on therpf towards completing a Jude Law, Jod/Silvo cosplay. I clay sculpted his buckle (with a lot of input from the group) and then 3d scanned it in and worked in blender. A buddy pushed it through zbrush to fix a lot of the brokenness from the scanning and once more when finished because I had overworked the fractals in blender.
Then I created a screen accurate one and a truly flat one for ease of printing. After printing it was surprisingly close to the onscreen version:
Due to copyright, there was no intention of selling copies nor files and yes I have heard all the excuses about getting away with it but honor and integrity are worth way more than profit.
But, with that said, our finished print was snagged and up for sale on Etsy within 2 days:
That is an overlay of our buckle on top of the etsy sale. Only the picture angle shows any change. Sigh.
Then I created a screen accurate one and a truly flat one for ease of printing. After printing it was surprisingly close to the onscreen version:Due to copyright, there was no intention of selling copies nor files and yes I have heard all the excuses about getting away with it but honor and integrity are worth way more than profit. But, with that said, our finished print was snagged and up for sale on Etsy within 2 days:
That is an overlay of our buckle on top of the etsy sale. Only the picture angle shows any change. Sigh.
Wire Wrapped Rake
Just wondering if they still make these? I've been looking online and can't seem to find them anywhere, did they stop making them?
Re: What's On Your Workbench? (Winter 2024-2025)
I just completed a small overlapping prosthetic application for a film I was making for fun. It was a piece to exaggerate some of the actor's facial features, so he didn't look the same. This is the first semi-successful prosthetic application I have made. The unfortunate part was I made my mold out of plastic and did not have enough money to reinforce it with epoxy putty, so I had to be careful with the amount of pressure I used when I cast the prosthetic in the silicone. This means the edge of the prosthetic was not good, so I added pros aid and setting powder mixture on top to hopefully smooth the edges. When that didn't work, I just added a mustache and hid all the edges. The painting worked out decently, I pre painted with narrative cosmetics alcohol airbrush makeups and then later added a base layer of makeup to die down the harsh tones. I ended by adding the wig to cover other edges and called it good.
BoBn
3
Re: Resume - Work/Experience
@Gary Tucker Thank you so much for the information! I really appreciate it! I was on the side of NOT putting my normal 9-5 on those sites so I could focus primarily on SFX related opportunities, but then I wasn't sure. I think I recently added my 9-5 on LinkedIn since it seems like more of an employment based network and wanted to show that I do have regular workforce experience. If I ever got an actual professional SFX opportunity I probably wouldn't include that on my resume and maybe just mention it during any type of interview or conversation.
I will definitely look for you and add you! I am actually finishing up my own Werewolf project as well and hoping to release the final film within the next couple weeks!
Thank you again!
I will definitely look for you and add you! I am actually finishing up my own Werewolf project as well and hoping to release the final film within the next couple weeks!
Thank you again!
Re: Resume - Work/Experience
Hello Mike! Great question actually, as this is something I must revisit and adjust my own profile as I am gearing towards establishing my brand within the entertainment field. Thanks for reading!
Just to answer the question outright, mine would be NO, and this is why, IMO. I have done that with written resumes before (put my acting and small business experience along with my regular work) and for the most part, it didn't mean much I think, yet it did also depend on what I was applying for. To elaborate, I worked in a lot of restaurants, and the only time my acting career was asked about was when I was serving, and if that was gonna mess with my availability. Now my crew work, geared towards more the blue-collar jobs like construction, was noticed a bit, but as a foreman told me, if I knew how to drive a forklift w/certification, that would stand out, not that so much that most concert builds & breakdowns operate almost the same as a construction site. But let's say you are using an online method to show your resume on, like a job search.
Specifically referring to sites like LinkedIn, which are industry flexible, you want to establish as clearly and concisely as possible WHAT your purpose and goals are for using it. It is vital that you have this "conversation" with yourself because it will help keep you on track and focused. For example, are you looking for any type of job, or specifically movie/stage jobs? This will help to not confuse any contacts that come your way and looking to hire for those industries! Nor will it confuse the search link & the alga rhythm that guides us when we are searching for connections, resources, whatever! Thus, again IMO, you should decide to focus on either the SFX or 9-5 separately or make both, just not together!
Another example, speaking for myself, I'm in a similar situation that I'm going to revisit & edit several of my social media profiles on platforms like Facebook, Instagram, X, and LinkedIn too! I'm longer interested in posting "who I am" or "what my interests are" or anything NOT related to my acting career anymore. But they still serve their purposes in the area of networking, so there is no need to get rid of them, just need to make some adjustments. I only want to meet people who do what I do, want to do what I do, and/or invest in what I do. Now, there could be a couple of exceptions in your case. Let say, on the LinkedIn part of the profile where you describe yourself and it's your 9-5 profile, you COULD mention that you have experience handling, measuring, & applying a variety of different materials & substances via work in makeup & SFX. And vice-versa, mention your paperwork and organizational experience on the makeup one. Those added details could help, and be enough to add value to them without overloading all that info into one, does that make sense?
And that's it! I hope this is helpful, and I appreciate the opportunity to chime into the conversation! As a matter of fact, if you would like, check out mine (you might/might not see that I need to follow my own advice, LOL), & add me to your contacts! I always loved practical SFX, really respect the makeup community on stage and on camera, thus I always make an effort to connect w/ the like! One day I WILL make my Werewolf-FMG movie (one of many weird ideas I got cookin'), so I might be looking your way, who knows, LOL! Here is my link, good journey to you, peace!
Gary Tucker | LinkedIn
Just to answer the question outright, mine would be NO, and this is why, IMO. I have done that with written resumes before (put my acting and small business experience along with my regular work) and for the most part, it didn't mean much I think, yet it did also depend on what I was applying for. To elaborate, I worked in a lot of restaurants, and the only time my acting career was asked about was when I was serving, and if that was gonna mess with my availability. Now my crew work, geared towards more the blue-collar jobs like construction, was noticed a bit, but as a foreman told me, if I knew how to drive a forklift w/certification, that would stand out, not that so much that most concert builds & breakdowns operate almost the same as a construction site. But let's say you are using an online method to show your resume on, like a job search.
Specifically referring to sites like LinkedIn, which are industry flexible, you want to establish as clearly and concisely as possible WHAT your purpose and goals are for using it. It is vital that you have this "conversation" with yourself because it will help keep you on track and focused. For example, are you looking for any type of job, or specifically movie/stage jobs? This will help to not confuse any contacts that come your way and looking to hire for those industries! Nor will it confuse the search link & the alga rhythm that guides us when we are searching for connections, resources, whatever! Thus, again IMO, you should decide to focus on either the SFX or 9-5 separately or make both, just not together!
Another example, speaking for myself, I'm in a similar situation that I'm going to revisit & edit several of my social media profiles on platforms like Facebook, Instagram, X, and LinkedIn too! I'm longer interested in posting "who I am" or "what my interests are" or anything NOT related to my acting career anymore. But they still serve their purposes in the area of networking, so there is no need to get rid of them, just need to make some adjustments. I only want to meet people who do what I do, want to do what I do, and/or invest in what I do. Now, there could be a couple of exceptions in your case. Let say, on the LinkedIn part of the profile where you describe yourself and it's your 9-5 profile, you COULD mention that you have experience handling, measuring, & applying a variety of different materials & substances via work in makeup & SFX. And vice-versa, mention your paperwork and organizational experience on the makeup one. Those added details could help, and be enough to add value to them without overloading all that info into one, does that make sense?
And that's it! I hope this is helpful, and I appreciate the opportunity to chime into the conversation! As a matter of fact, if you would like, check out mine (you might/might not see that I need to follow my own advice, LOL), & add me to your contacts! I always loved practical SFX, really respect the makeup community on stage and on camera, thus I always make an effort to connect w/ the like! One day I WILL make my Werewolf-FMG movie (one of many weird ideas I got cookin'), so I might be looking your way, who knows, LOL! Here is my link, good journey to you, peace!
Gary Tucker | LinkedIn
Re: Fard Cream Alternatives?
Hi Tim,
My recommendation is the FX and Flesh Tone. They are the two that I've used the most. You can start with the smaller (and slightly cheaper) on set palettes if you want to save a bit of money. The first palette I got was the FX, paired with cream makeup for skin tones, then I eventually got the flesh tone palette.
/Chris
My recommendation is the FX and Flesh Tone. They are the two that I've used the most. You can start with the smaller (and slightly cheaper) on set palettes if you want to save a bit of money. The first palette I got was the FX, paired with cream makeup for skin tones, then I eventually got the flesh tone palette.
/Chris
Re: Ways to explode a silicone or latex egg sack prop?
I realize it's a bit late in answering, but I would say use an air cannon on cue for impact. And if, let's say, you want to achieve a slow-motion look onscreen? Film it fast or "overcrank" it.
Tom Luca
1
Re: Ways to explode a silicone or latex egg sack prop?
Inflating it naturally may produce unpredictable explosions. Though you could place sharp tacks hidden at the base or hidden behind it to puncture the egg after it reaches a specific size.
If a sudden explosion is an option, rather than slow inflation and a pop, you could pre-score the egg so it's already cut through, and even tack some of the pieces back together with a bit of super glue. Then use a fire extinguisher or other pressure source to blast goo, liquid, or even just air, into it to create the explosion. Filming at a higher frame rate would also be advisable. You might need a lot of them to get one good take though.
Here are a couple of courses that cover fluids and explosions:
https://www.stanwinstonschool.com/tutorials/makeup-blood-fx-blow-your-brains-out
https://www.stanwinstonschool.com/tutorials/blood-makeup-effects-the-throat-slash
You could also start with the egg pulsing/moving before the explosion. For that, you could apply some of the techniques in our bladder course:
https://www.stanwinstonschool.com/tutorials/transformation-makeup-effects-bladder-fx-part-1-design-create-test
https://www.stanwinstonschool.com/tutorials/transformation-makeup-effects-bladder-fx-part-2-apply-paint-shoot
/Chris
If a sudden explosion is an option, rather than slow inflation and a pop, you could pre-score the egg so it's already cut through, and even tack some of the pieces back together with a bit of super glue. Then use a fire extinguisher or other pressure source to blast goo, liquid, or even just air, into it to create the explosion. Filming at a higher frame rate would also be advisable. You might need a lot of them to get one good take though.
Here are a couple of courses that cover fluids and explosions:
https://www.stanwinstonschool.com/tutorials/makeup-blood-fx-blow-your-brains-out
https://www.stanwinstonschool.com/tutorials/blood-makeup-effects-the-throat-slash
You could also start with the egg pulsing/moving before the explosion. For that, you could apply some of the techniques in our bladder course:
https://www.stanwinstonschool.com/tutorials/transformation-makeup-effects-bladder-fx-part-1-design-create-test
https://www.stanwinstonschool.com/tutorials/transformation-makeup-effects-bladder-fx-part-2-apply-paint-shoot
/Chris